SUPPORT / FAQ

To connect a Korg SQ-64 sequencer to your Mac or PC, you will need a MIDI interface or a USB-MIDI adapter, as well as appropriate software for your computer. Here’s a general outline of the steps to connect your Korg SQ-64:

1. Power On:

• First, make sure your Korg SQ-64 is powered on and connected to a power source or using batteries.

2. MIDI Connections:

• The Korg SQ-64 has MIDI connectors. You can use either the 5-pin DIN MIDI connectors or the USB MIDI connector, depending on your computer’s setup and available equipment.
• USB MIDI: If your computer has a USB port and the Korg SQ-64 has a USB MIDI port, you can use a USB A to B cable to connect the sequencer to your computer directly.
• 5-Pin DIN MIDI: If you’re using a traditional MIDI interface, you’ll need MIDI cables. Connect the “MIDI OUT” port of the SQ-64 to the “MIDI IN” of your MIDI interface, and the “MIDI IN” port of the SQ-64 to the “MIDI OUT” of your interface.

3. Power the MIDI Interface:

• If you’re using an external MIDI interface, ensure it’s properly powered and connected to your computer via USB or another appropriate connection.

Software Configuration:

4. Driver Installation (if necessary):

• Depending on the MIDI interface or USB-MIDI adapter you’re using, you might need to install drivers on your Mac or PC. Most modern systems should automatically recognize USB-MIDI devices, but you should check the manufacturer’s instructions if drivers are required.

5. MIDI Software::

• You’ll need MIDI software on your Mac or PC to communicate with the Korg SQ-64. Popular options include DAWs (Digital Audio Workstations) like Ableton Live, Logic Pro, GarageBand, or software specifically designed for MIDI sequencing, like MIDI sequencer software.

6. Select MIDI Input/Output:

• In your MIDI software, you need to select the appropriate MIDI input and output ports. This should be the MIDI interface or the SQ-64’s USB MIDI port, depending on your setup.

7. Configure MIDI Channels:

• Set up your software to send and receive MIDI data on the correct MIDI channels that correspond to the tracks on your Korg SQ-64.

8. Sync and Clock Settings:

• Ensure that your software is set up to sync with the Korg SQ-64. You may need to configure clock settings to ensure that the sequencer and software are in sync.

9. Start Sequencing:

• With your hardware and software configured, you should be ready to start sequencing on the Korg SQ-64 and have it control your software or vice versa.

Remember that the exact steps can vary depending on your specific hardware, operating system, and software. Always refer to the user manuals of your equipment for detailed setup instructions.

The Korg Nautilus, like many Korg workstations, offers a wide range of sound effects and processing capabilities. Here’s a basic guide on how to use sound effects on the Korg Nautilus:

Selecting an Effect Slot:

• Start by selecting the sound or track you want to apply an effect to. This can be a specific Program, Combi, or Track within the sequencer.

Accessing the Effects Section:

• On the Nautilus, press the “Effects” button to access the effects section. This will allow you to view and edit the effect settings.

Choose an Effect Type:

• In the Effects section, you’ll see a list of available effect types. Select the type of effect you want to use, such as reverb, delay, chorus, EQ, etc. You can use the data dial or touchscreen to make your selection.

Adjust Effect Parameters:

• After selecting an effect type, you can now adjust its parameters. This typically involves using the touchscreen or hardware knobs to control settings like wet/dry mix, feedback, decay time, and more, depending on the specific effect type.

Effect Routing:

• Depending on the sound or track you’re working with, you may have different routing options for effects. The Nautilus often allows you to choose how the effect is applied to the sound, such as insert effects (applied directly to a single sound) or master effects (applied globally).

Save Your Settings:

• Once you’ve dialed in the effect to your liking, you can save the effect settings as part of your Program or Combi. This allows you to recall your custom effect settings in the future.

Applying Multiple Effects:

• You can apply multiple effects to a single sound or track. To do this, simply select additional effect slots and repeat the process for each effect you want to use.

Global Effects:

• The Nautilus may also have global effects that can be applied to the overall mix. These are typically accessible in the master effects section and are used to process the entire sound output.

Real-Time Control:

• You can often assign effect parameters to real-time control knobs or pedals for dynamic manipulation during performance.

Experiment and Listen:

• Experimentation is key to finding the right effects for your sound. Play around with different effect types, settings, and combinations to achieve the desired sound you want.

Using Effect Presets:

• Many Nautilus users create and share effect presets. You can load and save these presets to quickly apply specific effects settings.

Remember to refer to the Nautilus user manual for specific details on effect types, routing options, and any unique features or limitations related to effects on your particular model of the Korg Nautilus.

To implement MIDI instructions for controlling operator parameters on the Korg Volca FM2 with Logic Pro, you’ll need to set up Logic to send MIDI messages to the Volca FM2. The Volca FM2 supports MIDI CC (Continuous Controller) messages to control various parameters, including operator settings. Here’s how you can do it:

1. Connect your Volca FM2 to your computer:

• Make sure you have the necessary MIDI interface to connect your Volca FM2 to your computer via USB or traditional MIDI cables.

2. Create a Software Instrument Track:

• Open Logic Pro and create a Software Instrument Track if you don’t already have one.

3. Insert a MIDI Effect:

• Insert a MIDI Effect plugin on the Software Instrument Track. You can use Logic’s built-in MIDI Effects or third-party plugins for more flexibility.

4. Set the MIDI Effect Output to Your Volca FM2:

• In the MIDI Effect settings, configure the Output to send MIDI data to your Volca FM2. Ensure that the proper MIDI input/output is selected for your Volca FM2.

5. Send MIDI CC Messages:

• To control the Volca FM2’s operator parameters, you’ll need to send MIDI CC messages. In Logic Pro, you can create automation for these messages using the Automation Lane. Follow these steps:a. Select the Automation Lane: Click on the “A” button in the track header to reveal the Automation Lane.
  b. In the Automation Lane, click the parameter you want to control. You can control various parameters like operator level, pitch, feedback, etc.
  c. Create automation points: Create automation points by clicking on the Automation Lane at the desired points in time.
  d. Set the values: Adjust the values of the automation points to control the parameter. The specific MIDI CC values for Volca FM2 parameters can be found in the Volca FM2’s manual.

6. Record and Playback:

• Once you’ve set up the automation, you can record and play back your MIDI data, and Logic will send the corresponding CC messages to the Volca FM2 to control its operator parameters.

Remember to consult the Volca FM2’s manual to find out the specific MIDI CC values for the parameters you want to control. You can map these values in Logic Pro accordingly.

It’s important to ensure that your Volca FM2 is correctly connected to Logic Pro via MIDI, and the MIDI channels and CC numbers are set up correctly to control the operator parameters you desire.

If you’re encountering a “timeout” error when using the Korg Minilogue librarian on a PC running Windows 11, it can be due to a few different reasons. Here are some steps you can take to troubleshoot and potentially resolve the issue:

1. Check MIDI Connection:

• Ensure that your Korg Minilogue is properly connected to your PC via MIDI. Double-check the MIDI cables and connections. Make sure that the MIDI input and output ports are correctly selected in the Minilogue librarian software.

2. USB Drivers:

• If you’re using a USB connection, make sure that the necessary USB drivers are installed and up to date. Sometimes, outdated or incorrect drivers can cause communication issues. You might need to download and install the latest drivers from the Korg website.

3. MIDI Settings in Windows 11:

• Verify that the Minilogue is recognized by your Windows 11 system. You can check this in the “Device Manager” under “Sound, video and game controllers.” If your Minilogue doesn’t appear, try different USB ports and cables. Sometimes, changing the USB connection can resolve the issue.

4. MIDI Interface:

• If you are using an external MIDI interface, make sure it’s set up correctly and that it’s recognized by Windows 11. Ensure the interface is powered on and connected properly.

5. Firewall and Antivirus Software:

• Sometimes, security software can interfere with MIDI communication. Check your firewall and antivirus settings to ensure they are not blocking the MIDI data transfer. You might need to create an exception or temporarily disable your security software for testing purposes.

6. Power Cycle:

• Try power cycling your Korg Minilogue and your PC. Turn both off, unplug the Minilogue if it’s connected via USB, and then power them back on. This can sometimes reset communication issues.

7. MIDI Ports and Channels:

• Make sure that you have the correct MIDI ports and channels set in the Minilogue librarian software, matching the settings on your Minilogue itself.

8. Other Software Conflicts:

• Check if any other MIDI software is running in the background on your PC. Conflicting MIDI software can cause communication problems.

9. Software Updates:

• Ensure that you are using the latest version of the Korg Minilogue librarian software. Sometimes, updating the software can resolve known issues.

10. Restart Windows Audio Service:

• Sometimes, restarting the Windows Audio service can help with MIDI communication issues. To do this, open the “Services” application, find “Windows Audio,” and click “Restart.”

If you’ve tried these steps and are still experiencing a “timeout” error with the Korg Minilogue librarian, it may be helpful to contact Korg’s customer support or check their online community forums for specific troubleshooting advice related to your model of Minilogue and Windows 11.

As of my last update in September 2021, the Korg XE-20 is a digital ensemble piano that offers various accompaniment features, including the “one finger accompaniment” mode. This feature is designed to allow you to easily create backing accompaniments using just one finger of your left hand while playing chords or melodies with your right hand.

Here’s how the one-finger accompaniment typically works on the Korg XE-20:

1. Select the Accompaniment Mode:

• Ensure that you are in Accompaniment Mode on the keyboard. This mode is specifically designed for creating backing tracks and accompaniments.

2. Choose a Style:

• The XE-20 usually provides a selection of different musical styles (e.g., jazz, pop, rock, Latin, etc.). You can select the desired style using the appropriate buttons or menu on the keyboard.

3. Play Single Notes or Simple Chords:

• Once you have selected a style, you can use your left hand to play single notes or simple chords in the lower range of the keyboard. For example, if you’re in C major, you can play just the C note, or C and G together, or C, E, and G together as a basic chord.

4. Automatic Accompaniment:

• When you play a single note or simple chord with your left hand, the XE-20’s accompaniment system will automatically generate a full accompaniment pattern based on the selected musical style. This pattern may include drums, bass, chords, and other instrumental parts that complement your left-hand input.

5. Experiment and Control:

• You can experiment with different single notes or simple chord combinations to explore various accompaniment patterns. Additionally, some keyboards allow you to control the complexity or intensity of the accompaniment using additional buttons or controls.

Remember that the specific functionality and features of the Korg XE-20, including the one finger accompaniment mode, may vary based on firmware updates or newer versions. Always refer to the user manual of your specific model for the most accurate and up-to-date instructions.

If you own the Korg XE-20, consult the user manual for detailed instructions on how to access and use the one finger accompaniment mode effectively. If you’re considering purchasing it or need further assistance, I recommend checking the official Korg website or contacting a Korg dealer for the latest information and support.

To control faders in Korg Control Studio with Spitfire Audio Albion Colossus, you’ll need to set up the necessary MIDI mappings. Here’s a general overview of the process:

1. Connect your MIDI controller (such as a Korg Control Studio) to your computer via USB.

2. Launch Korg Control Studio and make sure your MIDI controller is recognized by the software.

3. Open your DAW (Digital Audio Workstation) or music production software where you have Albion Colossus loaded.

4. Access the MIDI mapping settings within your DAW. The exact location and method may vary depending on your software, but it’s usually found in the preferences or options menu.

5. Look for the section where you can assign MIDI messages to parameters or controls.

6. In Albion Colossus, identify the specific faders or parameters you want to control. These could be volume faders, expression controls, or any other relevant parameters.

7. Select the first parameter you want to map to a fader on your Korg Control Studio.

8. Move the corresponding fader or control on your MIDI controller that you want to assign to that parameter.

9. The MIDI message from your controller should be detected by the software.

10. Assign the MIDI message to the parameter in your DAW’s MIDI mapping settings.

11. Repeat the process for any additional faders or parameters you want to control.

12. Test the faders on your Korg Control Studio to ensure they are now controlling the desired parameters in Albion Colossus.

It’s important to note that the exact steps and terminology may vary depending on your specific MIDI controller, DAW, and software setup. Always refer to the user manuals and documentation of your devices and software for detailed instructions on MIDI mapping and control surface setup

As of my last knowledge update in September 2021, the Korg wavestate is a synthesizer that may not inherently support automation of performance changes directly within a set list when used as a hardware synth. However, you can use Ableton Live to automate parameters on the wavestate and create performance changes within a set list. Here’s a general process:

1. MIDI Mapping:

• In Ableton Live, you can use MIDI mapping to control various parameters on your wavestate. To do this, you need to ensure that your wavestate is properly connected to your computer via MIDI.

2. Set List Preparation:

• Create a set list in Ableton Live, where each scene represents a different performance change. Each scene can contain different MIDI automation data for the wavestate.

3. MIDI Clips:

• Inside each scene, create MIDI clips that contain the automation data for the wavestate’s parameters. You can draw in MIDI automation curves to control parameters such as filter cutoff, pitch, modulation, etc., depending on what you want to automate. Make sure the MIDI clips correspond to the changes you want to happen in your set list.

4. Clip Automation:

• You can also automate the MIDI clip parameters in Ableton Live. For example, you can automate the clip’s transposition, velocity, or any other parameter to create dynamic performance changes.

5. Launch Scenes:

• When you’re ready to perform or play your set list, you can trigger the different scenes in Ableton Live, which will in turn play the associated MIDI clips with automation data. This will control your wavestate’s parameters and create the desired performance changes.

6. MIDI Routing:

• Make sure that Ableton Live is properly routing MIDI data to your wavestate. This can be set up in Live’s preferences.

Please note that the specific steps and options might vary depending on the capabilities of the wavestate and any updates or changes to Ableton Live beyond my last knowledge update in September 2021. It’s essential to consult the manuals and documentation for your specific hardware and software to understand the latest features and capabilities.

Additionally, some software might offer more advanced integration with specific hardware synths. Be sure to check for any software updates or third-party plugins that might enhance your ability to automate performance changes within your set list.

As of my last knowledge update in September 2021, the Korg Liano piano is not a product I’m familiar with. However, I can provide you with general instructions for connecting and using MIDI devices with an iOS device like an iPad using a USB-B to Lightning cable. Keep in mind that specific instructions may vary depending on the piano model and any updates to the iOS system or Korg software that have occurred since then.

Here’s a general procedure you might follow:

1. Check Compatibility:

• Ensure that your Korg Liano piano model is compatible with iOS devices and can be connected via MIDI using a USB cable.

2. Gather Required Equipment:

• Korg Liano piano with USB-B MIDI port.
• USB-B to Lightning cable (make sure it’s an authentic Apple-certified cable to ensure compatibility and reliability).
• iPad with a Lightning port.

3. Install Korg Apps (if necessary):

• If Korg provides a dedicated app for the Liano piano, download and install it from the App Store on your iPad.

4.Connect the Devices:

• Connect the USB-B end of the cable to the USB-B MIDI port on your Korg Liano piano.
• Connect the Lightning end of the cable to your iPad.

5. iOS Permissions (if prompted):

• Depending on the iOS version and the app you’re using, you may need to grant permission for the app to access MIDI devices. If prompted, allow the app to access MIDI devices.

6. Configure MIDI Settings (if applicable):

• If the Korg Liano piano has any MIDI settings or configuration options, you might need to adjust them to ensure proper communication with the iPad.

7. Launch the App:

• Open the Korg app on your iPad, if available.

8. Select MIDI Input:

• In the app’s settings or preferences, choose the Korg Liano piano as the MIDI input device.

9. Test Connection:

• Play the piano keys and check if the app is receiving MIDI data from the piano. This could involve playing a virtual instrument within the app or recording MIDI data.

10. Start Making Music:

• Once the connection is established, you can use the Korg Liano piano as a MIDI controller to play sounds and create music within the app.

Remember that technology and software can change, so it’s always a good idea to refer to the latest documentation provided by Korg and any updates related to iOS. Additionally, if you encounter any difficulties, you might consider reaching out to Korg’s customer support or consulting online forums for assistance from other users who have experience with the Korg Liano piano and iOS devices.

Please follow these general steps:

1. Visit the official Korg website:

• Go to the Korg website (www.korg.com) and navigate to the “Support” or “Downloads” section.

2. Locate the Minilogue XD Editor Librarian:

• Look for the specific software called “Minilogue XD Editor Librarian” or a similar name. Make sure you download the version that is compatible with macOS.

3. Download the software:

• Click on the download link provided for the Minilogue XD Editor Librarian software and save the installer file to your Mac.

4. Run the installer:

• Once the download is complete, locate the installer file on your computer and double-click on it to run the installer.

5. Follow the on-screen instructions:

• The installer will guide you through the installation process. Follow the prompts and provide any necessary permissions to install the software.

6. Connect your Minilogue XD:

• After the software is installed, connect your Korg Minilogue XD to your Mac using a USB cable. Make sure the synthesizer is powered on.

7. Open the Editor Librarian software:

• Locate the installed software on your Mac, usually in the Applications folder or in a specific Korg folder. Double-click on the software to open it.

8. Configure the connection:

• In the Editor Librarian software, you may need to select the appropriate MIDI connection settings to establish communication between your Minilogue XD and the software. This may involve selecting the Minilogue XD as the MIDI input/output device in the software’s preferences or settings.

9. Start using the Editor Librarian:

• Once the connection is established, you should be able to use the Editor Librarian software to manage and organize your patches, transfer sounds between your Minilogue XD and the computer, and make adjustments to the synth’s parameters.

Remember to consult the documentation or user manual provided with the Editor Librarian software for more specific instructions on its installation and usage. Additionally, ensure that you have the necessary drivers installed for the Minilogue XD, which can usually be obtained from the Korg website as well.

If you’re experiencing a loud hum when connecting Korg Volca units to a Korg Volca Mix, there are several potential reasons for this issue. Here are some common troubleshooting steps you can take to identify and resolve the problem:

1. Grounding Issue:

• Ensure that all your equipment is properly grounded. Use power strips or outlets with a proper ground connection.
• Make sure all your audio cables are in good condition and properly shielded.

2. Power Supply:

• Ensure that all your Korg Volcas and the Volca Mix are using the correct power supply and voltage. Using the wrong power supply can introduce unwanted noise.

3. Interference:

• Keep electronic devices that may cause interference away from your setup. This includes Wi-Fi routers, smartphones, and other electronic equipment.

4. Check Cables:

• Make sure you are using high-quality audio cables. Poor-quality cables can introduce noise. Try using different cables to see if the issue persists.

5. Isolation:

• Isolate the issue by connecting each Volca directly to the mixer one at a time. This will help you identify if the hum is related to a specific Volca unit.

6. Ground Loop Isolation:

• Use a ground loop isolator on the audio output of each Volca. This can help eliminate ground loop hum caused by differences in ground potential between devices.

7. Mixer Settings:

• Check the settings on the Volca Mix. Ensure that the volume levels and EQ settings are appropriate. Sometimes, excessive gain or EQ adjustments can introduce noise.

8. Environment:

• Check if there are any environmental factors contributing to the noise, such as fluorescent lights or other electronic devices.

9. Firmware Updates:

• Check if there are any firmware updates available for your Korg Volca units and the Volca Mix. Sometimes, manufacturers release updates that address known issues.

10. Contact Support:

• If the issue persists, and you’ve tried all the above steps, consider reaching out to Korg’s customer support for assistance. They may be able to provide specific guidance based on the model and any known issues..

By systematically going through these steps, you should be able to identify and address the source of the hum in your setup.

Setting up the left pedal (soft pedal, una corda) on a Nord Piano 5 with Logic Pro involves a combination of hardware and software configurations. Here’s a step-by-step guide:

1. Hardware Setup:

• Connect your Nord Piano 5 to your computer: Use a USB cable to connect your Nord Piano 5 to your computer. Ensure that the Nord is recognized as a MIDI device by your computer.
• Connect the Expression Pedal: Connect your expression pedal (usually used for the left pedal) to the designated pedal input on the back of the Nord Piano 5.

2. Logic Pro Software Setup:

• Open Logic Pro: Launch Logic Pro on your computer.
• Create a New Project or Open an Existing One: Open a project or create a new one where you want to use the Una Corda pedal.
• Create a Software Instrument Track: Create a new software instrument track by going to Track > New Track > Software Instrument or use the shortcut Cmd + Option + N.
• Choose a Piano Instrument: On the newly created track, choose a piano instrument that supports Una Corda effects. You may have specific sampled instruments or virtual instruments that simulate the Una Corda pedal effect.
• Open the Mixer: Open the Mixer by pressing X or go to View > Show Mixer from the top menu.
• Assign MIDI Controller for Una Corda: In the Mixer, find the instrument channel corresponding to your piano instrument. Look for the MIDI Controller section and find the control for Una Corda (often it’s assigned to CC #67). Move the Una Corda pedal on your Nord Piano 5, and observe which MIDI controller value it sends.
• Map MIDI Controller in Logic Pro: In Logic Pro, go to Logic Pro X > Control Surfaces > Controller Assignments. Create a new assignment for the MIDI controller you identified for Una Corda. Map it to the Una Corda control in your piano instrument.
• Record/Play with Una Corda: Now, when you play or record in Logic Pro, the Una Corda pedal on your Nord Piano 5 should affect the sound of your chosen piano instrument.
• Adjust MIDI Mapping if Necessary: Fine-tune the MIDI mapping and sensitivity to match your preferences. You may need to experiment and adjust the mapping values to get the desired Una Corda effect.
• Save Your Project: Save your Logic Pro project to keep the settings for future use.

Remember, the specific steps and options might vary slightly depending on the exact version of Logic Pro you’re using, so refer to the user manual for your version if needed.

1. Turn the device off, hold down the “Scene” and “Rewind” buttons and then turn the device back on.

2. Then in Logic, add a new Mackie HUI control surface, set the input and output to be the Korg and it all works as expected.

To trigger samples from a Korg NanoPad2 with a Korg Nautilus, you’ll need to connect the NanoPad2 to the Nautilus and configure the necessary settings. Here are the general steps:

1. Hardware Connection:

• Use a USB cable to connect the USB port on the NanoPad2 to a USB port on the Nautilus.

2. Software Configuration:

• Power On Devices: Turn on both the Korg NanoPad2 and Korg Nautilus.
• Access Global/Utility Settings on Nautilus: Navigate to the global or utility settings on the Nautilus. This process may vary slightly depending on the specific model of the Nautilus. Refer to the user manual for detailed instructions.
• Check USB MIDI Settings: Ensure that the USB MIDI settings on the Nautilus are configured to recognize the NanoPad2. This typically involves enabling or selecting the USB MIDI connection.
• Assigning MIDI Channels: Determine which MIDI channels you want to use for triggering samples on the Nautilus. You’ll need to set up the NanoPad2 and Nautilus to communicate on the same MIDI channels.
• Configure NanoPad2: If the NanoPad2 has customizable settings, configure it to send MIDI data on the specified MIDI channels. Refer to the NanoPad2 user manual for information on changing MIDI settings.

To install the Korg Editor Librarian software for your Korg Minilogue XD on macOS Ventura 13.4.1 on your Mac M2 Pro, you can follow these general steps:

1: Visit the official Korg website:

• Go to the Korg website (www.korg.com) and navigate to the “Support” or “Downloads” section.

1: Visit the official Korg website:

• Locate the Minilogue XD Editor Librarian: Look for the specific software called “Minilogue XD Editor Librarian” or a similar name. Make sure you download the version that is compatible with macOS.

2: Download the software:

• Click on the download link provided for the Minilogue XD Editor Librarian software and save the installer file to your Mac.

3. Run the installer:

• Once the download is complete, locate the installer file on your computer and double-click on it to run the installer

The Pa5X operation system 1.2.0 offered already a huge amount of new and legacy features for the new and stunning Pa5X system. With this new OS-Update (Bugfix-Release) version 1.2.1 we provide you a further improvement- and stabilization-update for the general use of the system with the main focus of the imported and converted “legacy” data coming from older Pa4X SET-files.

Note: Please read the notes down below referring to the supported data.
https://www.korg.com/us/support/download/manual/0/895/5126/

In addition to all improvements the new Pa5X operation system version 1.2.1 offers a new, forth scale-option especially for Styles which uses the “internal Style-scale” and the “chord-follow” functionality. The new scale tuning option “All tracks – Style tracks priority” will keep the internal scale settings of the Styles tracks while setting an external quartertone scale for the Keyboardset-tracks.

Here you can find more details of the issues solved with the new Bugfix-Release OS 1.2.1

1. Overall system stability

Improvements to the overall system stability, system response time and other minor adjustments have been made. Imported user data from Pa4X is now more stable. Settings with “no Style” for the startup could cause a freeze of the instrument and this has been fixed.

2. Track-type assignment (Acc/Drum Track)

Some particular User-Styles containing Drum-Tracks with harmonic relevant notes, were not chord sensitive in 1.2.0. This is fixed so these tracks can be used as chord-dependent tracks.

3. SongBook

SongBook data from version 1.1.0 could have problems in 1.2.0 using particular settings. All settings such as track-information for Styles used in the SongBook are now saved correctly.

4. Reset & Tap function

Improved RESET and TAP functionality on Style and Keyboard set tracks.

5. Scale options, chord-follow and transpose positioning

A new fourth option of assigning the QT/scale position has been added. Style Tracks with no detune were not scaled by applying the Quarter Tone/Scale-preset in real-time (while using the setting “ALL-tracks”). This new fourth option “All Tracks – Style Tracks priority” provides scale behavior similar to previous Pa-models. Furthermore, the Chord follow option is now working correctly using the transpose even with Intros and Endings.

6. MP3 – Playback

In certain situations the Pa 5X would restart while renaming an MP3-file and this has been fixed.

7. PCM/Sound

In certain situations PCM data could be corrupted while saving or loading using the normal “save.KST”-procedure and this has been fixed.

8. “Save Song” operation

In certain situations saving a song could result in wrong parameters independent from the data inside the selected Midi file and this has been fixed.

Note: User data prepared on early Pa series products and with 3rd party conversion software.

The new system of the Pa5X supports user-data such as Styles, PCM, Sounds, KBD-Sets and more, but only if the user data was originally developed on either the Pa5X or Pa4X. When using data prepared on any other Pa series products or compiled through third party conversion software the system of the Pa5X could show some unexpected reactions. Although the OS 1.2.1 improves performance in general, it is recommended not to load older, previously developed data in Pa5X. The users who still want to use older data which might cause problems are encouraged to send their files to Korg via their Pa5X dealer or local distributor. We will analyze your data in order to isolate potential problems. Please also include a report of the symptoms and how we can replicate your problem.

Set the tempo and time signature.

To set the tempo, you can press the TAP button at the desired interval. Alternatively, you can select “ (Tempo)” in the Home– Mixer page (or similar page), and use the VALUE controllers to set the tempo.

Set “Tempo Mode” to Manual. Next you will set the time signature. In this example, we’ll explain how to set the time signature using the “Meter” field. Normally, you specify the time signature before recording the first track, and then begin recording.

a) Press the SEQUENCER REC button, and set “Meter” to **/**.

b) Press **/** to highlight it, and use the VALUE controllers to set the time signature.

c) Press the SEQUENCER START/STOP button to begin recording. When the pre-count has ended and Locate reaches 001:01:000, press the SEQUENCER START/STOP button to stop recording. The time signature you specified has been recorded on the Master track. If you press the SEQUENCER START/STOP button during the pre-count, the time signature won’t be recorded

The ARP 2600M is a modern reissue of the classic ARP 2600 analog synthesizer. It follows the design and functionality of the original ARP 2600. Calibration on vintage analog synthesizers like the ARP 2600 is a crucial process to ensure that the instrument functions as accurately as possible. It involves adjusting and fine-tuning various parameters to maintain pitch stability, waveform shape, and overall performance. Here’s a general overview of the calibration routine for an ARP 2600M:

1. Prepare Your Workspace: Ensure that you have a stable and clean power source. Make sure the ARP 2600M is powered up and warmed up for at least 15-30 minutes to ensure stable operation.

2. Access the Calibration Points: The ARP 2600M typically has trimmer potentiometers inside the unit. You might need to open the case to access them. These trimmers are used to adjust various parameters.

3. Voltage Control Oscillators (VCOs) Calibration:
Tune each VCO to the correct pitch. You may need to send a reference pitch through the ARP 2600M and adjust the trimmers for each oscillator to match it.
Adjust the octave switch to ensure it accurately changes the pitch.

4. Filter Calibration:
Calibrate the filter’s resonance and cutoff frequency to ensure the filter behaves as expected.
Make sure the keyboard tracking is calibrated so that the filter responds correctly to changes in pitch.

5. Envelope Generators and Voltage-Controlled Amplifier (VCA) Calibration:
Adjust the Attack, Decay, Sustain, and Release parameters of the envelope generators to ensure proper timing and behavior.
Calibrate the VCA to ensure proper amplitude control.

6. Noise Generator Calibration: Ensure the noise generator produces the correct type and amount of noise.

7. Portamento Calibration (if available): If your ARP 2600M has portamento (glide), calibrate it to set the glide rate to your preference.

8. LFO Calibration: Ensure the LFO produces the correct waveforms and frequency ranges.

9. Reassemble and Test: Once you’ve made the necessary adjustments, reassemble the ARP 2600M and test its functionality.

10. Fine-Tuning: It’s common to revisit some calibration points to fine-tune settings, as adjustments in one section of the synthesizer may affect others.

It’s important to note that calibration can be a delicate and time-consuming process, and it’s often recommended for experienced technicians. If you’re not confident in your ability to perform these calibrations, it’s advisable to seek the help of a professional or technician who specializes in vintage analog synthesizers like the ARP 2600. An improperly calibrated synthesizer can produce inaccurate or undesirable sounds, so caution and expertise are crucial

To connect your Korg PA-600 to a MIDI module and send MIDI data out, follow these steps:

1. Prepare Your Equipment:
Ensure that your Korg PA-600 and the MIDI module are both powered on and functioning correctly.
Make sure you have the necessary MIDI cables. MIDI cables have 5-pin connectors, and you’ll need at least one MIDI cable to connect the two devices.

2. Locate MIDI Out on the Korg PA-600: Find the “MIDI Out” port on your Korg PA-600. It’s usually located on the back panel of the keyboard.

3. Connect the MIDI Cable: Connect one end of the MIDI cable to the “MIDI Out” port on your Korg PA-600. The other end of the cable will have a 5-pin DIN connector.

4. Locate MIDI In on the MIDI Module: Find the “MIDI In” port on your MIDI module. This is where you will connect the other end of the MIDI cable.

5. Connect the MIDI Cable to the Module: Connect the other end of the MIDI cable to the “MIDI In” port on your MIDI module.

6. Configure the Korg PA-600: You may need to configure your Korg PA-600 to send MIDI data to the MIDI Out. Typically, this is done through the keyboard’s settings or menu. Consult the Korg PA-600 user manual for specific instructions on how to enable MIDI output.

7. Configure the MIDI Module: Your MIDI module may also require configuration to receive MIDI data properly. Check the module’s manual for instructions on setting the MIDI channel and other relevant parameters.

8. Select the Sound on the MIDI Module: Once the connection is established, you can select a sound or instrument on your MIDI module. When you play your Korg PA-600, it will send MIDI data to the module, which will produce sound according to your selections.

9. Test and Play: Play your Korg PA-600, and you should hear the sound produced by your MIDI module.

If you encounter any issues, double-check your connections, settings, and MIDI channel configurations on both the Korg PA-600 and the MIDI module. Ensure that both devices are on the same MIDI channel for proper communication. If you need specific information for your MIDI module, consult its user manual for detailed setup instructions.

1. Turn the device off, hold down the “Scene” and “Rewind” buttons and then turn the device back on.

2 . Then in Logic, add a new Mackie HUI control surface, set the input and output to be the Korg and it all works as expected.

There could be several reasons why the Korg SV2 editor may not be opening on a Mac when connected via USB through a hub. Here are some steps you can take to troubleshoot and potentially resolve the issue:

1: Check USB Connections

• Ensure that the USB cable is securely connected between the Korg SV2 and the USB hub.
• If possible, try connecting the Korg SV2 directly to a USB port on the Mac without using the hub to see if the issue persists.

2: Power Supply

• Ensure that both the Korg SV2 and the USB hub are receiving power. Some USB devices may not function properly if they do not receive sufficient power.

3: USB Hub Compatibility

• Make sure that the USB hub is compatible with your Mac and the Korg SV2. Some hubs may have compatibility issues with certain devices.

4: USB Hub Driver/Software

• Check if the USB hub requires any additional drivers or software to work properly on your Mac. Install any necessary drivers or software provided by the hub’s manufacturer.

5: USB Port Issues

• Test the USB hub on different USB ports on your Mac to rule out any issues with specific ports.

6: Update Software

• Ensure that both the Korg SV2 editor software and your Mac’s operating system are up to date. Sometimes, compatibility issues can be resolved with software updates.

7:  Security and Permissions

• Check if security software or firewall settings on your Mac are preventing the Korg SV2 editor from opening. Adjust the settings if necessary.

8:  Try Another Computer

• If possible, try connecting the Korg SV2 to another Mac to see if the issue persists. This can help determine if the problem is specific to your Mac or if it’s a broader compatibility issue.

9: Contact Korg Support:

• If none of the above steps resolve the issue, consider reaching out to Korg’s customer support for assistance. They may have specific recommendations or solutions for the problem you’re experiencing.

By systematically going through these steps, you should be able to identify and address the issue preventing the Korg SV2 editor from opening on your Mac when connected via USB through a hub.

Performing a factory reset on a Korg PA-800 arranger keyboard will return the instrument to its original factory settings, erasing any user-customized settings and data. Here’s how you can do a factory reset on the Korg PA-800:

Warning: Performing a factory reset will erase all your data, user settings, and customizations. Make sure to back up any important data before proceeding.

1. Turn off the Korg PA-800: Ensure that the keyboard is turned off.
2. Press and Hold the SELECT button: Locate the SELECT button on your keyboard. It’s usually found in the upper-left corner of the control panel. Press and hold this button.
3. Power On the Keyboard: While holding down the SELECT button, turn the keyboard on. You can do this by pressing the power button or plugging it in while holding SELECT.
4. Wait for the Display: After powering on, you should see a display indicating “Factory Restoring…”. Continue holding down the SELECT button during this process.
5. Release the SELECT Button: When the process is complete, you can release the SELECT button.
6. Reboot: The Korg PA-800 will restart, and it should now be restored to its factory settings.

Please note that the exact procedure may vary slightly depending on your keyboard’s specific firmware version, so refer to the user manual for your specific model if you encounter any issues or if the process described above does not work as expected.

Remember to back up any important data before performing a factory reset, as this process will erase all your custom settings and data.

PCG files on Korg PA-series keyboards, including the Korg Pa5X, are files that contain various settings, configurations, and data related to the keyboard’s performance, sounds, and settings. “PCG” stands for Program, Combination, and Global, which are the main elements that make up the overall setup of the keyboard.

Here’s a breakdown of what each component represents:

1. Programs: Programs are individual instrument sounds or voices. A PCG file can store information about the various programs available on the keyboard, including their settings, effects, and other parameters.
2. Combinations: Combinations refer to the combination of multiple sounds or programs layered or split across the keyboard. It allows you to create complex and rich textures by combining different sounds. A PCG file will store information about the combinations you have set up.
3. Global Settings: Global settings encompass overall keyboard settings that affect the entire instrument, such as master tuning, MIDI settings, and other global parameters. These settings are stored in the PCG file.

When you save your settings, sounds, and configurations on your Korg Pa5X, you might choose to save them as a PCG file. This is a convenient way to back up your entire setup or share it with others. Additionally, you can use PCG files to load specific configurations into your keyboard

Memory Integrity is a security feature in Windows 11 that helps protect your system against certain types of attacks by ensuring that only signed and trusted code can run in high-security processes. It monitors the integrity of the code that is running in the system’s memory.

If you’re experiencing issues with a USB driver on your Nord Stage 2EX keyboard when Memory Integrity is enabled, it could be due to several reasons:

1. Unsigned Drivers: Memory Integrity may block unsigned drivers. If the USB driver for your Nord Stage 2EX is not digitally signed or considered untrusted by Windows, it might be blocked from loading.
2. Driver Compatibility: Memory Integrity may also block drivers that are not fully compatible with the security features of Windows 11. In some cases, older drivers may not be designed to work seamlessly with newer security features.

Here are a few steps you can try to resolve the issue:

1. Update Drivers: Make sure that you have the latest USB drivers for your Nord Stage 2EX. Check the manufacturer’s website for any updated drivers that are compatible with Windows 11.
2. Check for Firmware Updates: Sometimes, firmware updates for devices can improve compatibility with newer operating system features. Check if there are any firmware updates available for your Nord Stage 2EX.
3. Digital Signature: Ensure that the USB driver has a valid digital signature. If it’s not signed or the signature is not recognized by Windows, it might be blocked.
4. Memory Integrity Settings: If you are comfortable adjusting system settings, you could try temporarily disabling Memory Integrity to see if the issue persists. If the problem goes away, it’s an indication that Memory Integrity is causing the problem.

   To disable Memory Integrity:

   Open “Settings.”
   Go to “Privacy & security” > “Windows Security.”
   Click on “Device security.”
   Under “Core isolation,” click on “Memory integrity.”
   Toggle the switch to turn off Memory Integrity.

    

   Keep in mind that disabling security features may expose your system to potential security risks, so it’s recommended to re-enable Memory Integrity once you have identified and resolved the issue.

   If none of these steps resolve the problem, you may want to reach out to the manufacturer’s support for assistance or check for any community forums where other users may have experienced similar issues and found solutions.

1. Connect your KeyLab Essential MK3 to your computer using a USB cable.
   
2. Install the KeyLab Essential MK3 drivers if you haven’t already. Visit Arturia’s website to download the latest drivers for your operating system
3. Launch Steinberg Cubase.
4. Open Cubase Preferences: Go to “Studio” in the top menu. Select “Studio Setup”.
5. Set up MIDI Devices: In the Studio Setup window, select “MIDI Port Setup”.
   Make sure your KeyLab Essential MK3 is listed and enabled as an input device. If it’s not listed, you may need to install or properly configure its driver.
6. Set up the KeyLab Essential MK3 as a Control Surface: In Cubase’s Studio Setup window, select “Remote Devices”.
   Click on the “+” icon to add a new device.
   Choose “Mackie Control” as the device type.
   Select “Arturia” as the MIDI input and output ports.
7. Assign the controls (knobs, sliders, pads, etc.) on your KeyLab Essential MK3 to Cubase functions: Go to Cubase’s “Device Setup”.
   Click on “Mackie Control” (or whatever you named your device).
   Assign the controls by clicking on the parameter you want to control in Cubase and moving the corresponding control on your KeyLab Essential MK3.
8. Save your settings to ensure they’re retained for future sessions.
9. Test your setup: Load a project in Cubase. Try using the knobs, sliders, and pads on your KeyLab Essential MK3 to control various parameters in Cubase, such as mixer controls, plugin parameters, or transport functions.

By following these steps, you should be able to integrate your Arturia KeyLab Essential MK3 seamlessly with Steinberg Cubase, allowing you to control various aspects of your DAW using the controller’s hardware interface.